Writing Allegorical
Fairy Tales – Guest Post by Tricia Mingerink
Note: This post was
taken from a post I did on my own blog last year. You
can find it here.
Merriam-Webster’s
online dictionary defines allegory as “the expression by means of symbolic
fictional figures and actions of truths or generalizations about human
existence” or as “a symbolic representation.” A synonym for allegory would be
parable or fable, which would be stories with a moral or theme.
In Christian fantasy when we talk about allegory, we usually
mean a story that is a symbolic representation of Christianity. Or, as the
parables in the Bible are usually defined, “an earthly story with a Heavenly
meaning.”
Often, Christian storytellers won’t tell a full allegory,
but will opt for writing a story that has some allegorical elements. This means
that much of the story is there for the story while some parts of it have a
deeper meaning. Another way of thinking about it is that there is the book
level story going on, then there is the allegorical story going on buried
beneath.
Stories with allegorical elements could also be called
suppositions. They are basically a giant “what if” question. This is how C.S.
Lewis wrote The Chronicles of Narnia. He staunchly resisted the idea that they
were allegories and instead called them suppositions. They are his answers to
the question, “What if God created a world called Narnia with talking beasts
and moving, talking trees? How would Jesus Christ be revealed in this world?”
Thus, stories with allegorical elements hinge on the fact
that God is an unchanging God. Even if the how changes so that the setting is
now a fantasy world with talking animals or singing trees, God as He is
revealed in the Bible does not change.
But, should a Christian write an allegorical story? God, in
His good pleasure, made this world the way it is for a reason. Should we even
dabble in speculating on how God would be presented in a different world?
It’s a weighty question. A question that should be asked.
But, I think, it is a question that should be asked of any Christian fiction,
not just speculative fiction. Because any Christian fiction, whether it is
historical fiction or Biblical fiction or romance or contemporary, steps into
interesting territory. Is the writer playing God by deciding who is saved in
the book and who isn’t? What about having God answer prayers in the book?
Deciding which prayers are answered? It’s enough to make a Christian terrified
of writing any Christian fiction ever.
But stories are important. A large chunk of the Bible is
told in stories. True stories, yes. But the fact that stories were included
shows that stories are an effective way God communicates with us. He could have
inspired the Bible to be written as an exposition of doctrines. Yet, much of
the Bible is in story format, and even many of the exposition parts of the
Bible are grounded with stories. While exposition connects with the head,
stories connect with the heart. That’s the power of stories.
There are fictional stories in the Bible. Nathan the prophet
tells David a fictional story about sheep to open David’s eyes about his sin.
Jesus spoke in many, many parables, and all of those are fiction.
But what about allegories? Should those be attempted? Aren’t
those perhaps a little out of the bounds of this world?
As mentioned above, parable is actually listed as a synonym
for allegory. It could be said that Jesus spoke in allegories when He told
parables.
In a rather interesting parable, Jesus told the story of
Lazarus and the rich man where the rich man in Hell can talk to Lazarus in
Heaven (Luke 16:19-31). There are many differing doctrines on Hell and Heaven
in Christianity, but most would agree that there probably isn’t communication
between those in Heaven and those in Hell. So not only did Jesus tell a
fictional story, it is a fictional story with elements that don’t happen
according to how God is pleased to order this world.
Not only that, but our God is a fantastical God not confined
by the laws of nature He is pleased to work through and control in the world we
see around us. The Bible is filled with miracles and wonders the likes of which
we don’t see around us today. But just because we don’t see things like a
world-wide Flood or people being raised from the dead or wooden staffs turning
into snakes or the sun standing still in the sky doesn’t mean they didn’t
happen or that God is no longer powerful enough to do wonders like that
anymore. He is still a powerful God. A fantastical God who can perform wonders
beyond our imagination. Historical fiction can’t capture that in the way that
fantasy can.
Besides, the concept of symbolic representation shouldn’t be
that foreign to Christians. That is, after all, what most of the Old Testament
is. The sacrifices were symbolic representations of Christ. David was a type of
Christ. The Old Testament is filled with “types and shadows” that pointed to
redemption in Jesus Christ. In other words, while the Old Testament is true
stories that really happened, God is so in control of history that all those
true stories are also God’s allegories to be examples for us (I Cor. 10:11).
This, then, is what Christian authors are mimicking when
writing allegories and stories with allegorical elements. We are using a
story-telling and truth-telling pattern God has already established in the
Bible. These stories function much like the Old Testament in that they use
pictures, types, and symbols to point to God.
So, yes. I firmly believe Christian can write and read
Christian fantasy stories and allegories. The Bible is filled with stories of
all genres, everything from true accounts to fiction to, yes, even speculative
fiction and stories containing “fantasy” elements that display God’s power over
the Creation.
When I set out to write Dagger’s
Sleep, I quickly learned that writing an allegorical story is downright
terrifying. When writing The Blades of
Acktar, I was mostly writing ordinary Christian fiction, just set in a
place that doesn’t line up with any country, place, time, culture, or era in
our real world. In Christian fantasy circles, this genre is often called
kingdom adventure because it is an action-adventure that doesn’t have any
elements that aren’t normally found in our world, yet it is set in a made-up
country.
Merging fantasy with Christianity is a tricky business (thus
this entire blog post). Things get complicated quickly. Was I effectively
pointing to God in the allegorical parts? Were the allegorical parts saying what
I thought they were saying and not accidentally making a different point
altogether? What if the allegorical parts ended up too cliche? The point of
writing an allegorical story, after all, is to be able to do things that you
can’t in Christian historical fiction or other similar genres. Were the story
parts and the allegorical parts meshing into one story that felt organic
instead of forced?
Honestly, if I were a smarter author, I probably would have
avoided writing anything even remotely allegorical. They can be
stomach-ulcer-inducing worrisome to write. And even harder to market and sell.
Dagger’s Sleep and
its sequels Midnight’s Curse and Poison’s Dance are allegorical stories,
rather than full allegories. They have plenty of adventure, dangers, and elements
to the story that aren’t part of the allegory but are there for the
entertaining story. The series can be read as just stories.
But as I was writing, I discovered that fairy tales lend
themselves very well to allegorical writing. The original fairy tales were
often used to convey morals and lessons and were rarely mere stories for
entertainment. They are filled with themes of temptation and humility and good
ultimately winning over evil. They are, in a sense, already allegorical. It
didn’t take much to emphasize that a little bit more.
Whether you read Beyond
the Tales as simple fairy tale retellings or you read them for the
allegorical elements, I hope you enjoy the stories!
Poison's Dance: https://www.amazon.com/Poisons-Dance-Dancing-Princesses-Retelling-ebook/dp/B0873YZKZS/ref=sr_1_1?dchild=1&keywords=poison%27s+dance&qid=1598450939&sr=8-1
